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دراسات فی السردانیه العربیه، جلد ۸، شماره ۱، صفحات ۰-۰
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| عنوان فارسی |
دراسه خطاب الشخصیه فی روایه “إعجام” بناءً علی النظریه الأسلوبیه لباول سیمبسون |
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| چکیده فارسی مقاله |
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| کلیدواژههای فارسی مقاله |
الأسلوبیه،رسم الشخصیات،إعجام،سنان أنطون،باول سیمبسون،الأدب العربی المعاصر،السردیات، |
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| عنوان انگلیسی |
A Study of Character Discourse in the Novel Iâjaam Based on Paul Simpsonâs Stylistic Theory |
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| چکیده انگلیسی مقاله |
Analysis of Character Discourse in the Novel I‘jām Based on Paul Simpson’s Stylistic Theory
Abstract
Contemporary Iraqi literature, profoundly shaped by the tyranny of the Ba'athist era and successive wars, serves as a significant medium for representing human experiences in the face of power and identity. Sinan Antoon's novel I'jaam (2004) stands out by employing the unique stylistic technique of an "unpointed text"—omitting the diacritical marks of Arabic letters—to create semantic ambiguity and dual readings, thereby reflecting the atmosphere of intimidation and uncertainty inherent in a totalitarian system. Despite the novel's prominence in post-colonial literature, stylistic analyses focusing on the linguistic mechanisms of characterization remain scarce. Adopting a descriptive-analytical approach, the present study explores characterization in I'jaam within the theoretical framework of Paul Simpson to elucidate how socio-political themes are reflected in the narrative and linguistic layers of the text. To this end, narrative elements and behavioral patterns of the characters are evaluated based on Simpson’s modal grammar and stylistic components. The findings indicate that the author, through specific linguistic choices, portrays a character caught in the conflict between agency (internal resistance) and passivity (external subjugation). Analysis reveals that the high frequency of mental processes and epistemic modalities in the narrator’s discourse signifies psychological instability and identity fragmentation caused by the pressures of the security apparatus. Furthermore, the first-person point of view, by limiting the reader’s awareness to the narrator’s incomplete information, directly immerses the reader in the lived experience of censorship and oppression. Additionally, the use of passive constructions and the deletion of agency in prison-related segments denote the character’s loss of autonomy and subjecthood before the ruling power. The results of this study demonstrate the efficacy of Simpson's model in explaining the relationship between linguistic forms and connotative meanings in contemporary narrative texts. |
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| کلیدواژههای انگلیسی مقاله |
الأسلوبية,رسم الشخصيات,إعجام,سنان أنطون,باول سيمبسون,الأدب العربي المعاصر,السرديات |
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| نویسندگان مقاله |
سونیا محمدی عالیبری |
دانشگاه کاشان
علی بشیری |
دانشگاه کاشان
حسین ایمانیان |
دانشگاه کاشان
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| نشانی اینترنتی |
https://san.khu.ac.ir/article_11518_a07cdaf1f134bf6539381f75f868a9ae.pdf |
| فایل مقاله |
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| زبان مقاله منتشر شده |
ar |
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