The hero or the narrative subject is the focus of the old narrator's interest more than his interest in the event, especially in the old news because it embodies the ideological conscience of the nation's identity of its collective unconscious. The Arab hero is a (systemic hero) in the collective mind, because of its great importance in the narrative imagination that produces cultural patterns, as the hero has become a symbol of the tribe, from which it derives courage and bravery in victory and in defeats and losses. The presence of the main narrative actor in the days of the Arabs in general, and the book Al-Gamra, the Days of the Arabs, by Omar bin Shabbah Al-Basri in particular, which was unique in mentioning the Al-Basous war in all its details - with the previous events and facts - is of greater importance than the importance of the event in the narrative structure of the story sometimes. I divided the research into two axes, According to the types of narrative actor in the book Jamharat Ibn Shibba: The first of them was concerned with revealing the just narrative actor, and the cultural absence that he suffered from the authoritarian discourse of culture, and this hero represents (Al-Buraq bin Rouhan), and the second axis of the research presented the duality (steadiness and transformation) in The character of the narrative actor, represented by two characters (Kulaib and Al-Muhalhal).